Mostrando postagens com marcador Romance. Mostrar todas as postagens
Mostrando postagens com marcador Romance. Mostrar todas as postagens

quarta-feira, 10 de fevereiro de 2016

Amélie (2001)

Amelie Poulain (Audrey Tautou) is the only child of Raphael and Amandine; a doctor and a schoolteacher, respectively. Raphael (Rufus) is a stoic and distant father, and never makes physical contact with his daughter except for a monthly medical checkup. When Amelie is six, he concludes that she has a serious heart defect (when in reality, Amelie's heart beats faster due to nervousness from her father's rare contact). He declares Amelie to be too delicate for school, and she is taught at home by her mother. Amandine (Lorella Cravotta) is constantly stressed and anxious, and breaks down over strange and minor events such as Amelie's goldfish leaping from its bowl. Given no mental stimulation from her parents and isolated from other children, Amelie develops an intricate imagination to entertain herself. She becomes fairly comfortable in her solitude, but her life is shaken when her mother is inadvertently fatally crushed by a suicidal tourist leaping from the roof of Notre Dame. Her father becomes deeply depressed, and Amelie receives even less parental affection. In her late teens, she moves to her own apartment and takes a job as a café waitress in Montmartre.
Amelie amuses herself with life's simple, everyday pleasures, since her romantic relationships were often disappointing. She takes interest in the lives of others, but does not get involved. Residents of her apartment building include Raymond Dufayel (Serge Merlin), an elderly reclusive artist with very brittle bones; Madelene Wells (Yolande Moreau), the sulking concierge who mourns the death of her cheating husband; Collignon (Urbain Cancelier), the grouchy grocer; and Lucien (Jamel Debbouze), Colignion's clumsy employee. On August 31, 1997, as she watches a news report of Princess Diana's death, chance leads Amelie to discover a small box behind a wall in her bathroom. It contains pictures, toys, and mementos from decades before. Amelie decides to find the box's owner to return it, and if he is touched by the gesture, she will dedicate her life to such acts of kindness.
After consulting Colingion's parents, who had lived in her apartment building around the time the box was hidden (roughly 1950), Amelie receives a possible name for the owner: Domonique Bredoteau. Amelie looks up several Bredoteaus in the city, but to no avail. Her neighbor Dufayel provides her with the correct spelling- Bretodeau- and Amelie is able to track him down. She slyly returns the box to him, and the aging Bretodeau (Maurice Benichou) is brought to tears by his childhood memories. After anonymously trailing him to a bar, Amelie learns that her act had inspired him to visit his estranged daughter and finally meet his grandson. Amelie is delighted.
Amelie decides to encourage her aging and morose father to travel for the first time. She steals his beloved garden gnome and gives it to her stewardess friend, who takes pictures of it in famous foreign locations at her flight stops. Amelie anonymously sends the pictures to her father, hoping to inspire wanderlust. One day at the train station, Amelie encounters Nino Quincampoix (Matthieu Kassovitz), an eccentric young man whose hobby is reconstructing torn-up pictures found underneath photo booths. Nino drops one of his photo albums when chasing a mysterious man through the station, and Amelie looks through it. The man Nino was chasing appears in multiple reconstructed photos throughout the album, and Nino is intent on discovering his identity. Nino himself had an isolating childhood, much like Amelie, and the two grew up only a few miles apart, longing for friends but never meeting.
Amelie decides to return the album, but is interested in meeting Nino. After visiting the pornography shop where he works as a clerk, she learns he has another job at a carnival. She sets up a series of clues for him that would eventually bring them together. Meanwhile Gina (Clotilde Mollet) , a co-worker at the cafe, is plagued by her ex-lover, Josef (Dominique Pinon), who jealously spies on her all day and mutters notes into a tape recorder. Amelie attempts to remedy this by setting him up with another co-worker, the hypochondriac Georgette (Isabelle Nanty). Meanwhile, her cat-and-mouse games with Nino have captured his attention, and he wants to meet her as well.
In the meantime, Amelie steals Madame Wells's letters from her husband (written to her decades before) and cleverly creates a new letter in which he apologizes to his wife for his infidelity. After receiving the false letter, Madame Wells is overjoyed with the news that her husband loved her after all. Amelie also avenges Lucien by playing practical jokes on Colingion (whom she dislikes for constantly insulting Lucien). Amelie has regular visits with Raymond Dufayel, who has been recreating the same Renoir painting for 20 years. He reminds her that, despite her intentions to help others, she is neglecting her own pursuit for happiness. Amelie resolves to meet Nino once and for all, and lures him to her café with a note. He arrives but she is too shy to address him, even when he gently confronts her with the note. While Amelie is out of earshot, her fellow waitress Gina asks Nino to talk with her in private, to ensure that Amelie will not be hurt by him. After speaking with Nino, Gina sees that he is a good man. However, Gina's ex-boyfriend Josef sees the two leave together and, after being dumped by Georgette, reveals his (incorrect) observation that Nino and Gina are dating. Amelie hears this, and is crushed.
At home, Amelie weeps while frustratingly baking a cake. She daydreams of a life with Nino, amid all the current characters in her life. She is startled when her doorbell rings. She hears Nino speaking to her from the hallway, but she is too nervous to answer. Assuming she is not home, Nino slips a note under her door, assuring her that he will return.
A conflicted Amelie finds a personal videotape from Mr. Dufayel, in which he encourages her to pursue the man she loves, or risk eternal unhappiness. Amelie rushes to the door just as Nino returns. She brings him in without speaking, and after finally seeing each other under new circumstances, they begin a relationship. Some time later, Amelie and Nino are still happy together. A narrator encourages the audience to observe the miraculous details of life that occur every moment.


American Beauty (1999)

Lester Burnham (Kevin Spacey) is a 42-year-old father, husband and advertising executive who serves as the film's narrator. Lester's relationship with his wife Carolyn (Annette Bening), an ambitious realtor who feels that she is unsuccessful at fulfilling her potential, is strained. His 16-year-old daughter Jane (Thora Birch) is unhappy and struggling with self-esteem issues. Lester himself is a self-described loser: boring, faceless and easy to forget. Lester is reinvigorated, however, when he meets Jane's friend and classmate, the egotistical Angela Hayes (Mena Suvari) at a high school basketball game. Lester immediately develops an obvious infatuation with Angela, much to his daughter's embarrassment. Throughout the film, Lester has fantasies involving a sexually aggressive Angela and red rose petals. The Burnhams' new neighbors are Col. Frank Fitts, USMC (Chris Cooper), his distracted wife Barbara (Allison Janney), and his camcorder-obsessed son Ricky (Wes Bentley). When confronted with the gay couple living two doors down, Col. Fitts displays a distinctly bigoted attitude.
Over the course of a few days, each of the Burnhams individually makes a life-changing choice. Carolyn meets real estate rival Buddy Kane (Peter Gallagher) for a business lunch and ends up beginning an affair with him, and later takes up shooting lessons (a suggestion of Kane's). Lester blackmails his boss Brad Dupree (Barry Del Sherman) for $60,000, quits his job, and takes up low-pressure employment as a burger-flipper at a fast food chain. He continues to liberate himself by trading in his Toyota Camry for his dream car, a 1970 Pontiac Firebird, starts working out to impress Angela, and starts smoking a genetically enhanced form of marijuana. Jane, while growing distant from Angela, develops a romantic relationship with Ricky, having bonded over what he considers to be his most beautiful camcorder footage he has ever filmed, that of a plastic grocery bag dancing in the wind. Ricky himself quickly befriends Lester and secretly acts as Lester's marijuana supplier.
Col. Fitts, concerned over the growing relationship between Lester and Ricky, roots through his son's possessions, finding footage of Lester working out in the nude (captured by chance while Ricky was filming Jane through her bedroom window)- slowly bringing him to the conclusion that his son is gay. Buddy and Carolyn are found out by Lester, who seems to be mostly unfazed by his wife's infidelity. Carolyn, who is almost more devastated by Lester's indifference than by her being exposed as an adulteress, is further dismayed when Buddy reacts by breaking off the affair. As evening falls, Ricky returns home to find his father waiting for him with fists and vitriol, having mistaken his drug rendezvous with Lester for a sexual affair. Realising this as an opportunity for freedom, Ricky falsely agrees that he is gay and goads his violent father until he is thrown out. Ricky rushes to Jane's house and asks her to flee with him to New York City - something she agrees to, much to the dismay of Angela, who quickly protests. Ricky shoots her down with her deepest fear: that she is boring and completely ordinary and uses her "friends", like Jane, to boost her public image. Broken and dismayed, Angela storms out of the room, leaving Jane and Ricky to reconcile.
Lester finds an emotionally fragile Col. Fitts standing outside in the pouring rain and attempts to comfort him, but is taken by surprise when Fitts kisses him. Lester gently rebuffs him, telling him he has the wrong idea. Fitts, shamed and broken, wanders back into the rain. Meanwhile, Carolyn sits alone in her car on the side of the road, holding her gun and becoming more and more infuriated at the day's turn of events. Moments later, Lester finds a distraught Angela and is on the edge of consummating their relationship sexually, but the seduction is derailed when she confesses that she is a virgin. Now viewing her only as an innocent child, Lester immediately withdraws, his affections shifting to that of a father-figure, and they bond over their shared frustrations with and concern for Jane, Lester seeming to be pleased when Angela confesses that Jane's in love. Angela asks how he's feeling and he realizes, to his own surprise, that he feels great. After Angela excuses herself to the bathroom, a happy Lester sits at the table looking at a photograph of his family in happier times, unaware of the gun being held to the back of his head.
In his final narration, Lester looks back on the events of his life, intertwined with images of everyone's reactions to the sound of the subsequent gunshot, including one of a bloody and shaken Col. Fitts with a gun missing from his collection. Despite his death, Lester, from his vantage point as narrator, is content:
"I guess I could be really pissed off about what happened to me... but it's hard to stay mad, when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much, my heart fills up like a balloon that's about to burst... and then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain. And I can't feel anything but gratitude for every single moment of my stupid little life. You have no idea what I'm talking about, I'm sure. But don't worry... you will someday."


segunda-feira, 8 de fevereiro de 2016

Blind dating

Danny Valdessecchi (Chris Pine) is an intelligent, handsome, charming young man who happens to be blind. Having been blind from birth, he volunteers for a risky experimental procedure that may restore his sight -- having a microchip installed in the visual cortex of his brain that connects to a camera that would give him only, at best, fuzzy black and white images. During the tests he meets a beautiful Indian nurse, Leeza (Anjali Jay). Meanwhile, because Danny is a virgin at 22, his brother Larry (Eddie Kaye Thomas), who runs a limousine service, gets him a string of hilariously disastrous blind dates in between rentals. When Danny finally realizes that he is falling for Leeza, she tells him she cannot see him anymore because she has been promised in an arranged marriage. Believing that Leeza did not pursue their relationship because of his being blind, Danny becomes depressed and stops taking the necessary tests for his brain surgery. Danny's family, his eccentric psychotherapist Dr. Evans (Jane Seymour) and eye doctor Dr. Perkins (Stephen Tobolowsky) advise him to continue because it is his only chance of seeing, and soon Danny is successfully operated on. He sees his family's faces for the first time, but not Leeza's, who was away, reluctantly preparing for her marriage. Soon the experiment proves to be a failure, as the fragile prosthesis in his brain moves, clouding his already weak vision, and Danny goes back to being blind. Realizing that he really loves Leeza, he bursts into the wedding, professing his love for her and saying "Love is how you speak to me. Love is how you touch me...and guide me showing me the way to go. And when we kiss, when we kiss, it moves me to my soul." The couple kiss. At this the marriage is called off and Danny and Leeza start over, learning more about each other's family and culture.


Casablanca

In the early years of World War II, December 1941, the Moroccan coastal city of Casablanca attracts people from all over the world, particularly Nazi-occupied Europe. Many are transients trying to get out of Europe; a few are just trying to make a buck. Most of them -- gamblers and refugees, Nazis, resistance fighters, and plain old crooks -- find their way to Rick's Café Américain, a swank nightclub owned by American expatriate Rick Blaine (Humphrey BogartHumphrey Bogart). Though we learn later that Rick once harbored enough idealism to put himself at risk to fight fascism, he's now embittered and cynical, professing to be neutral and detached: "I stick my neck out for nobody."
Ugarte (Peter LorrePeter Lorre) comes to Rick's with letters of transit he obtained by killing two German couriers. The papers allow the bearer to travel freely around German-controlled Europe, including to neutral Lisbon, Portugal; from Lisbon, it's relatively easy to get to the United States. They are almost priceless to any of the refugees stranded in Casablanca. Ugarte plans to make his fortune by selling them to the highest bidder, who is due to arrive at the club later that night. However, before the exchange can take place, Ugarte is arrested by the police under the command of Captain Louis Renault (Claude RainsClaude Rains). A corrupt Vichy official, Renault accommodates the Nazis. Unknown to Renault and the Nazis, Ugarte had left the letters with Rick for safekeeping, because "...somehow, just because you despise me, you're the only one I trust."
Then the reason for Rick's bitterness re-enters his life. Ilsa Lund (Ingrid BergmanIngrid Bergman) arrives with her husband Victor Laszlo (Paul HenreidPaul Henreid) to purchase the letters. Laszlo is a renowned Czech Resistance leader who has escaped from a Nazi concentration camp. They must have the letters to escape to America to continue his work. At the time Ilsa first met and fell in love with Rick in Paris, she believed her husband had been killed. When she discovered that he was still alive, she left Rick abruptly without explanation and returned to Laszlo, leaving Rick feeling betrayed. After the club closes, Ilsa returns to try to explain, but Rick is drunk and bitterly refuses to listen.
At different times Rick and Ilsa torment themselves by asking the club's piano player, Sam (Dooley WilsonArthur "Dooley" Wilson), to play As Time Goes By, a song they loved when they were together in Paris. The famous line "Play it again, Sam," which refers to this song, doesn't actually appear in the movie -- Ilsa says "Play it, Sam," and later, Rick orders "Play it!" While Sam plays the song, Rick reminisces about his affair with Ilsa in Paris. Though she seems happy to be with Rick, her mood near the end of their time together is cautious because she has learned her husband may not be dead. When the Nazis begin to close in on Paris, she receives word that Victor is indeed alive in another part of Europe. She and Rick had been planning to take a train to Southern France to escape the German Army's assault; however, on the platform Rick receives a handwritten letter from her. She writes that she can't explain why she's leaving him but she loves him. Rick and Sam leave without her.
The next night, Laszlo, suspecting that Rick has the letters, speaks with him privately about obtaining them. They're interrupted when a group of Nazi officers, led by Major Strasser (Conrad VeidtConrad Veidt), commandeer Sam's piano and begin to sing Die Wacht am Rhein (The Watch on the Rhine), a German patriotic song. Infuriated, Laszlo orders the house band to play La Marseillaise in honor of Occupied France. The band leader looks to Rick for guidance; he nods. Laszlo starts singing, alone at first, then long-suppressed patriotic fervor grips the crowd and everyone joins in, drowning out the Germans. In retaliation, Strasser orders Renault to close the club.
Later that night, Ilsa confronts Rick in the deserted cafe. He refuses to give her the documents, even when threatened with a gun. She is unable to shoot, confessing that she still loves him. Rick decides to help Laszlo, leading her to believe that she will stay behind when Laszlo leaves.
Laszlo is jailed on a minor charge. Rick convinces Renault to release Laszlo, promising to set him up for a much more serious crime: possession of the letters of transit. However, Rick double crosses Renault, forcing him at gunpoint to assist in the escape. At the last moment, Rick makes Ilsa get on the plane to Lisbon with her husband, telling her that she would regret it if she stayed: "Maybe not today. Maybe not tomorrow, but soon and for the rest of your life."
Major Strasser drives up, tipped off by Renault, but Rick shoots him when he tries to intervene. When his men arrive, Renault informs them that Strasser is dead and covers for Rick by sharply ordering them to "round up the usual suspects." He then recommends that they both leave Casablanca. Renault, suggesting they join the Resistance, walks into the fog with Rick who says "Louis, I think this is the beginning of a beautiful friendship."


sábado, 6 de fevereiro de 2016

Fifty Shades of Grey

Anastasia Steele (Dakota Johnson) is a business major at Vancouver University in Washington state. She goes to the Grey House building to interview the mysterious CEO of Grey Enterprises, Christian Grey (Jamie Dornan) in place of her sick roommate Kate Kavanagh (Eloise Mumford). Christian also happens to be a benefactor of the university. Ana asks Christian several questions prepared by Kate, including his being adopted at the age of 4 and if he is gay. Christian says he is definitely not gay. Ana is intimidated and clearly interested in him. After the interview, Christian escorts her to the elevator. He simply says, "Anastasia," to which she replies, "Christian."
At school, Ana is approached by her friend Jose (Victor Rasuk), who is a photography major who announces his pictures are going to be part of an exhibit at school. Ana congratulates him, it is obvious that Jose harbors feelings for Ana.
Ana works at a hardware store, Clayton's. She talks on the phone with her mother Carla (Jennifer Ehle), who informs Ana that she can't make it to her graduation because her boyfriend Bob (Dylan Neal) has broken his foot. Her manager Paul (Anthony Konechny) calls her over to help her in the back. Ana walks by an aisle and is startled to find Christian there. He requests several materials like duct tape and rope. Ana tries to keep her cool with him but she is very much enchanted by him.
Christian poses for a photoshoot shot by Jose, with Ana and Kate in attendance. Kate notes that Christian is unable to take his eyes off Ana. Later, the two get coffee together. Christian discusses his family, as does Ana. She asks him if he has a girlfriend, to which he states that he doesn't "do the girlfriend thing". He asks her if she is interested in Jose or Paul, but Ana says no. As they walk down the street, Ana is almost hit by a biker until Christian pulls her out of the way. Before parting, he hands her a business card and states that he's staying at the Heathman Hotel.
Following the end of their finals, Ana and Kate go to celebrate at a bar with Jose and a couple other friends. Ana gets pretty drunk and calls Christian while in line for the ladies room. Christian heads over to the bar to pick Ana up. Ana goes outside, and Jose follows her. He admits he likes her and tries to kiss her. Christian runs in and pushes Jose away from her. Ana then pukes and Christian holds her hair back before she passes out. He takes her back to his hotel room while leaving Kate with his brother Elliot (Luke Grimes).
Ana wakes up in Christian's room wearing different clothes since he says her other ones were covered in vomit. Christian takes his shirt off and reveals what appear to be cigarette burns on his chest. He brings Ana some toast and gets his chauffeur Taylor (Max Martini) to fetch Ana some new clothes. There is some flirtation going on between the Christian and Ana, but he says he won't touch her until she gives him written consent. They walk to the elevator, but Christian decides, "Fuck the paperwork" and they kiss passionately. He takes her home, where they find Elliot and Kate having sex on the couch.
Later on, Christian takes Ana on his private helicopter to his condo in the Escala Building in Seattle. There, he shows her his "playroom", which is filled with BDSM (Bondage Dominance Submission Masochism) materials like ropes, chains, whips, and floggers. Christian explains that he is a "dominant" and enjoys doing certain things with the consent of other women. Ana asks if it is love-making, but Christian says he doesn't make love, he "fucks hard". Ana is taken aback by this, but it doesn't push her away. She admits to Christian that she is still a virgin, a fact that surprises him. He decides to rectify this, and he takes her to the bedroom. He slowly undresses her and kisses her thighs. He lays her on the bed and proceeds to have sex with Ana, which she greatly enjoys. After the sex, Christian is in another room playing piano. A very naked Ana walks over to him, and they start kissing. He picks her up and takes her back to the bedroom.
The next morning, Ana and Christian take a bath after she fixes up some breakfast. They are about to have sex again when Christian's adoptive mother Grace (Marcia Gay Harden) shows up. Ana meets Grace, who is delighted to get to know Ana. Grace hasn't seen Christian in a while, and he leaves to take a business call.
Ana and Christian walk through the woods. He tells her that his first sexual experience was at the age of 15 with his mother's friend, who was also a dominant. Ana finds this fact to be disturbing, but Christian doesn't see it as such.
Before Ana goes home, Christian gives her a folder with a contract and certain guidelines/explanations for their BDSM arrangement. When she gets home, Ana finds that Christian has sent her a laptop for them to keep in touch and for her to do research on the subject. Ana looks over the list of explanations for the dominant and submissive, including certain sex acts and codes during the actual acts. Ana is both curious and a bit mortified upon learning some of these things. She sends Christian a message saying it was nice knowing him.
None too happy with this statement, Christian shows up in Ana's room. He gets her to lay in bed and he ties her wrists together with his necktie. He blindfolds her with her t-shirt and gets the rest of her clothes off. He kisses her body and runs an ice cube across her bare chest and stomach with his mouth. He then turns her around and starts to have sex with her doggie-style.
The next day, Ana decides to meet with Christian privately in a business meeting of sorts to discuss the contract. Ana rules out any form of fisting (to Christian's disappointment) as well as the use of genital clamps. For the most part, she seems okay with some of the requests listed.
The day of Ana and Kate's graduation arrives. Ana's father Ray (Callum Keith Rennie) shows up and sits with Kate's parents. Christian shows up and gives a speech. Two girls comment on how hot he is, and Ana leans over to them and says he's gay, to their dismay. After the ceremony, Ana introduces Christian to Ray after Kate refers to him as Ana's boyfriend. She and Christian get their picture taken for the newspaper. He also gives Ana a new red Audi as a gift, saying that he got Taylor to sell her old Beetle (something that she isn't happy with).
On several other occasions, Christian continues to try and show Ana what she can expect if she is his submissive. He bends her over his lap and takes off her pants, spanking her a few times, which she sort of enjoys. He brings her back into the playroom, ties her hands, blindfolds her, and strips her nude. He whips her butt a few times with a riding crop, which seems to excite her.
Ana joins Christian at his mother's house since his sister Mia (Rita Ora) has returned from her visit in Paris. Kate is also there as Elliot's date. During the dinner, Ana mentions that she is going to Georgia to visit her mother. Christian and Ana walk around the garden, and Christian is mad at learning that Ana is leaving.
At night, as Ana lies in bed, Christian mentions his birth mother being a drug addict who died when he was four. He barely remembers her but he claims to sometimes dream about her.
Ana heads to Georgia to be with Carla. At night she texts Christian and finds out he is going out for dinner with a friend. Asking, " with Mrs. Robinson?", Christian doesn't confirm or deny. The next day Ana and her mom discuss her new relationship over Cosmos at a hotel lounge. Ana gets a text from Christian saying, "Not ANOTHER Cosmo," which startles her. He walks into the bar and introduces himself to Carla before ordering himself a drink. Later, Christian takes Ana up in a glider and thrills her with loops and rolls. On landing he gets a call and has to return to Washington immediately.
Sometime later Ana returns to Washington with Taylor picking her up and dropping her off at the Escala Condo.
Things get heated since Ana still hasn't officially signed the contract. She doesn't feel comfortable with the thought of Christian trying to punish her for his pleasure. He tells her that he doesn't want to hurt her nor does he want to do anything that she wouldn't want him to do. She asks him why he wants to do this, to which he responds that he is "fifty shades of fucked up". Christian takes Ana into the playroom and pulls her pants down to show her how extreme their BDSM relationship can be. He says he will whip her butt six times with his belt, and he makes her count. After the sixth hard whip, Ana is mortified and she retreats to the bedroom to lie in bed and cry. Christian is sweating and breathing hard, She doesn't want to see Christian right now. She tells him she's fallen in love with him, but she knows that she can't be what he wants her to be.
Ana gets dressed and heads for the elevator, she leaves the laptop and asks for her VW Beetle back, Christian says it's too late but he'll send a cheque. Christian follows her and tries to stop her from leaving, but her mind is made up. As she steps into the elevator, he calls out to her, "Ana..." She only says, "Christian" as the elevator doors shut.


sexta-feira, 5 de fevereiro de 2016

Forrest Gump

The film begins with a feather falling to the feet of Forrest Gump who is sitting at a bus stop in Savannah, Georgia. Forrest picks up the feather and puts it in the book Curious George, then tells the story of his life to a woman seated next to him. The listeners at the bus stop change regularly throughout his narration, each showing a different attitude ranging from disbelief and indifference to rapt veneration.
On his first day of school, he meets a girl named Jenny, whose life is followed in parallel to Forrest's at times. Having discarded his leg braces, his ability to run at lightning speed gets him into college on a football scholarship. After his college graduation, he enlists in the army and is sent to Vietnam, where he makes fast friends with a black man named Bubba, who convinces Forrest to go into the shrimping business with him when the war is over. Later while on patrol, Forrest's platoon is attacked. Though Forrest rescues many of the men, Bubba is killed in action. Forrest is awarded the Congressional Medal of Honor for his heroism.
While Forrest is in recovery for a bullet shot to his "butt-tox", he discovers his uncanny ability for ping-pong, eventually gaining popularity and rising to celebrity status, later playing ping-pong competitively against Chinese teams. At an anti-war rally in Washington, D.C. Forrest reunites with Jenny, who has been living a hippie counterculture lifestyle.
Returning home, Forrest endorses a company that makes ping-pong paddles, earning himself $25,000, which he uses to buy a shrimping boat, fulfilling his promise to Bubba. His commanding officer from Vietnam, Lieutenant Dan, joins him. Though initially Forrest has little success, after finding his boat the only surviving boat in the area after Hurricane Carmen, he begins to pull in huge amounts of shrimp and uses it to buy an entire fleet of shrimp boats. Lt. Dan invests the money in Apple Computer and Forrest is financially secure for the rest of his life. He returns home to see his mother's last days.
One day, Jenny returns to visit Forrest and he proposes marriage to her. She declines, though feels obliged to prove her love to him by sleeping with him. She leaves early the next morning. On a whim, Forrest elects to go for a run. Seemingly capriciously, he decides to keep running across the country several times, over some three and a half years, becoming famous.
In present-day, Forrest reveals that he is waiting at the bus stop because he received a letter from Jenny who, having seen him run on television, asks him to visit her. Once he is reunited with Jenny, Forrest discovers she has a young son, of whom Forrest is the father. Jenny tells Forrest she is suffering from a virus (probably HIV, though this is never definitively stated). Together the three move back to Greenbow, Alabama. Jenny and Forrest finally marry. The wedding is attended by Lt. Dan, who now has prosthetic legs and a fiancee. Jenny dies soon afterward.
The film ends with father and son waiting for the school bus on little Forrest's first day of school. Opening the book his son is taking to school, the white feather from the beginning of the movie is seen to fall from within the pages. As the bus pulls away, the white feather is caught on a breeze and drifts skyward.


Meet Joe Black

William Parish (Anthony Hopkins) is a multimillionaire who has run a successful empire for the past forty years in New York. But, after his wife passes away, he feels empty and becomes convinced that Death is now after him too. He hears strange voices in his head, mimicking his own words, but they are phony and ridicule him in every possible manner. William's eldest and somewhat meddlesome daughter, Allison (Marcia Gay Harden), is planning her father's 65th birthday party.
Her sister Susan (Claire Forlani), an attractive young doctor, is involved with one of Bill's board members, Drew (Jake Weber). Her father disapproves of the relationship and suggests she look for someone more suited to her character. Early in the morning she meets a handsome and cheery stranger (Brad Pitt) in a café, but fails to learn his name before they leave. The young man is struck and killed by a car a few minutes later.
Death (Brad Pitt) appears to Bill in his home. Bill finally realizes that the young man is the personification of death. But death wants a holiday from his taxing, eternal responsibility of taking the souls of the dead to the after life. He chooses William to be his guide strikes a deal with Bill: as long as Bill shows him around the world of mortals, Bill will get to live a little longer. Temporarily doubting his own sanity, he finally agrees. He is introduced to William's family at a dinner at his house, when Susan arrives a few minutes late. She immediately recognizes the young man she met earlier that day, but the young man as Death is unfamiliar with the practices of mortal men and does not remember their original meeting. He acts awkwardly around her and she is confused and upset by his sudden odd behavior, very unlike his actions earlier that day.
When the dinner guests ask Bill for the name of his "old friend", Bill hesitatingly introduces him as "Joe Black". The family is puzzled by the sudden appearance of an old friend of their father's that they have never met. Joe insists that Bill allow him to accompany him everyplace he goes, and Bill reluctantly agrees. Bill knows that these are his last days on earth, but despite his best efforts, he fails to keep events from rapidly spiraling out of control. A merger has been proposed to the Board of Bill's company, and Drew actively supports the transaction, but Bill as Chairman vetoes the proposal. Drew is very antagonistic towards this sudden, new "old friend" of Bill's, and is disrespectful and rude towards him.
Susan grows disaffected of her relationship with Drew, beginning to see him for who he really is, and is somewhat enamored of the diffident, seductive, mysterious Joe Black. They have sex and she tells Joe that she loves him. Joe enjoys the experiences of his flesh, of human feelings and desires, and is in love with her as well. This complicates matters, as Bill doesn't want Death to become involved with his daughter, and tells Joe that their deal didn't include this. Death has little care for Will's feelings and declares his intention to take Susan with him for his own.
As his last birthday arrives, Bill makes a last attempt to demonstrate to Joe the meaning of true love and all it encompasses, especially honesty and sacrifice.
Bill's 65th birthday on his large estate is a wonderful, perfect event. Joe attends, pretending to be an Internal Revenue Service agent. Bill makes a last attempt to demonstrate to Joe the meaning of true love and all it encompasses especially honesty and sacrifice. Joe comes to understand that his love for Susan means he has to sacrifice his desire to take Susan with him and allow her to live her life, and he abandons his plans to take her.
Unknown to Bill, Drew is conspiring with a enemy of BIll's who is bidding to acquire Parrish Communications. Drew capitalizes on Bill's strange behavior. He uses information inadvertently given to him by Bill's son-in-law Quince (Jeffrey Tambor) and convinces the board to vote Bill out as Chairman. He also persuades the Board to approve the merger which Bill had decided to oppose. Quince is devastated by what happens to Bill as all but one other member of the board vote him out.
Joe, as the IRS agent, uses his knowledge of Drew's actions and intimidates Drew into resigning from the company and Board and to leaving Susan. Joe helps get Bill reinstated as Chairman of the Board. Bill devotes his remaining hours of life at the party to his daughters Allison and Susan. Joe says his last goodbye to Susan, admitting in veiled terms that he isn't what he appears to be. She senses something of the truth behind his words but is unable or unwilling to vocalize this realization. A fireworks show marks the end of the party and Joe escorts Bill to the edge of the garden and Susan follows them.
Joe takes Bill over the bridge and the two disappear. Susan saw them walking away and runs up to the bridge. She is surprised when Joe reappears and walks back over the bridge. Death has left with Bill. Joe is now the young man Susan met at the coffee shop at the start of the movie. The young man, unaware of the events which had transpired from the time of his death until his return, talks to Susan. After a few moments, Susan suddenly realises that Joe is not the person whom she fell in love with. In sorrow, she realises that Joe (Death) has left and she is now talking with Joe (young man at coffee shop). She gazes past Joe's shoulder at the spot where she last saw Joe (Death) and Bill. Tearing, she says to Joe (young man), "I wish you could have known my father". She then asks him, "What do we do now?". He replies, "It'll come to us.". She nods and agrees. They hold hands and walk back towards the celebration of (Bill's) life.


quinta-feira, 4 de fevereiro de 2016

Gone with the wind

The film opens in Tara, a cotton plantation owned by the proud Gerald O'Hara (Thomas Mitchell), a self-made man of Irish descent, in the Confederate State of Georgia near Atlanta. The date is April 1861. He and his wife, Ellen (Barbara O'Neil), have three beautiful daughters; Suellen (Evelyn Keyes), Carreen (Ann Rutherford), and the headstrong 16-year-old Scarlett (Vivien Leigh). Scarlett spends her days having fun, tormenting the household servants, and flirting, especially with twins Brent and Stuart Carleton (Fred Crane, George Reeves). The brothers anticipate the next ball and hope Scarlett will choose one of them to attend the ball. The Carletons speculate the impending war between the North and the South. Scarlett finds the latter topic boring and is certain that there will be no war. She runs off to meet her father who is riding home through the fields. He returns home with some news.
Neighbor John Wilkes (Howard C. Hickman) hosts a barbecue party at his Twelve Oaks plantation. Scarlett pines for Wilkes' son, Ashley (Leslie Howard), a lanky, soft-spoken young man of refined bearing, though he doesn't reciprocate her feelings. Scarlett continues to flirt with other boys despite her willful obsession for Ashley. All the young women go inside for an afternoon nap while the men meet in the parlor for cigars and brandy. Most of them boast of how the South will surely win the war but one gentleman, Rhett Butler (Clark Gable), a visitor from Charleston, South Carolina, disagrees. He states that the South cannot win a protracted war purely through the exhibition of pride and notes how the North is better equipped and industrially superior, able to produce weapons of war quickly. Charles Hamilton (Rand Brooks) is offended by Rhett's opinion and openly tells him so, even going so far as to suggest a duel. Rhett, knowing full well that he's a much better shot than Charles and that this argument is not worth his life, leaves. Charles brands Rhett a coward but Ashley assures him that Rhett would have killed him in the duel.
While the other girls are sleeping, Scarlett slips away from the nap room to speak to Ashley in the parlor. She declares her love for him but Ashley tells her that he intends to marry his cousin Melanie Hamilton (Olivia de Havilland), Charles' sister. Scarlett is infuriated and berates Ashley for making her think he was in love with her. She maintains that Melanie is too fair and can't compete with Scarlett's looks, despite the fact that Melanie is admired for her kindness and altruism. Ashley then walks out of the parlor. In her anger, Scarlett throws a vase at the wall, breaking it to pieces. Rhett Butler suddenly pops up from the couch where he'd been resting and jokingly asks whether the war has begun. Scarlett is outraged and defends Ashley when Rhett mocks him. When Scarlett leaves, Rhett laughs to himself: Scarlett has announced that she would hate Ashley forever, but she defended him five seconds afterwards!
The start of the war is finally announced and all the young gentlemen rush to enlist. Charles Hamilton is betrothed to Ashley's sister, India (Alicia Rhett) but, when Scarlett flirts with him to get a rise out of Ashley, he proposes to her instead. Still angry at Ashley for rejecting her, Scarlett agrees. They quickly marry before Charles leaves for the front lines. Scarlett offers herself to Ashley but he denies her again, kissing her lightly on the cheek. Just a few months later, news comes of Charles' death from illness while stationed at the front.
Wishing for her widowed daughter to cheer up (though Scarlett is sullen for the wrong reasons), Ellen suggests that she go to Atlanta to live with Melanie and her Aunt Pittypat (Laura Hope Crews). Scarlett agrees to go, but only because it will give her the chance to see Ashley again. Her nurse, Mammy (Hattie McDaniel), believes this decision is not in Scarlett's best interest and tells her so.
In 1862, Scarlett attends a fundraising ball for the Confederate Army in Atlanta where she, as a recent widow, is not supposed to enjoy herself and must remain off to the side wearing a black gown. She dances surreptitiously behind the counter of her charity stall, receiving looks of disapproval as the people around her whisper rumors of her supposed mourning. Rhett Butler is also in attendance, now known as an arms smuggler to benefit the Southern cause despite his cynical attitude towards the war's aims. His motivation is simply to make a profit and his skills in smuggling allowed him to obtain the ball decorations and make it past Southern blockades. Melanie, by now having married Ashley, offers her wedding ring as a war contribution, a generous move that Scarlett feels obliged to follow. This incites Rhett to sarcastically praise her consideration. An auction is then held for the men to bid on a dance with a girl of their choosing. Rhett wins the auction and chooses Scarlett, causing consternation in the crowd because of Scarlett's position as a widow. However, she accepts Rhett's invitation to dance and, while they do, Rhett tells her that he someday wants to hear her say that she loves him. Scarlett confidently proclaims that will never happen as long as she lives.
Another year later, Christmas of 1863 arrives and Ashley returns home from the war front on furlough. Still in love with him, Scarlett once again attempts to woo him but with no success. Just before Ashley's departure day, Scarlett manages to see him alone and gives him a present, tearfully confessing that she only married Charles to hurt him. Ashley makes Scarlett promise to take care of Melanie before they share one passionate kiss. Ashley leaves once more to rejoin the war effort.
Eight months pass, during which the war drags on and the situation in the South worsens. Food becomes scarce and nearly every family has lost loved ones to battle. Scarlett and Melanie, now pregnant with Ashley's child, volunteer as nurses caring for wounded soldiers. Scarlett despises her new role, doubled upon her responsibilities as the sole person to manage Aunt Pittypat's home since Pittypat is incompetent and Melanie grows weaker due to her difficult pregnancy. Scarlett faces the harsh realities of war as she listens to a dying soldier (Cliff Edwards) reminisce about his brother Jeff and witnesses another (Eric Linden) suffer a leg amputation without anesthetic. The useless Aunt Pittypat leaves the city, finding the noise of artillery annoying, and renders Scarlett to care for the weakened Melanie with no one but the house servant, Prissy (Butterfly McQueen), to help.
When Melanie goes into labor, Scarlett, intent on keeping her promise to Ashley, employs the help of Dr. Meade (Harry Davenport) who had previously been watching Melanie's progress. However, he is unable to leave the train station where he is tending to hundreds of wounded and dying Confederate soldiers. When Prissy, who had claimed to know all there is to childbirth, admits that she knows nothing, Scarlett takes control, fueled by her anger. Though Melanie's labor is long and complicated, she eventually gives birth to a son (Patrick Curtis) but is left severely weak.
Scarlett sends Prissy to find the one man who can get them all safely out of Atlanta before the approaching Union troops take siege: Rhett Butler. Prissy finds him enjoying himself at a local brothel run by Belle Watling (Ona Munson). Though Rhett mocks Prissy, he agrees to assist Scarlett who insists on returning home to Tara. Rhett steals a horse and cart and fetches Scarlett, Melanie, her baby, and Prissy, taking them through Atlanta as the city burns in wake of the Union advance. Once safely outside the city, Rhett leaves them to continue to Tara alone, telling Scarlett that he is to enlist in the Confederate army because he believes only in lost causes 'when they are really lost'. Scarlett begs him not to go and he professes his love for her, claiming to have never loved anyone else so fiercely. Scarlett rebuffs his advances but he kisses her, paying for it with a slap across the face. Rhett gives her his pistol and walks off, leaving Scarlett in tears.
The women continue on their journey to Tara alone, traveling mostly by night to avoid enemy Federal troops. When Melanie can no longer lactate for the baby, they resolve to milk a stray cow for sustenance. They pass the Wilkes' plantation which has befallen the same fate as many others, having burned to the ground. Melanie tries to stand but collapses upon seeing the scorched crosses marking the graves of her entire family. Under moonlight and just as their horse dies of exhaustion, they arrive at Tara to find it still standing but derelict, having been used as headquarters for Northern troops. The fields are untended and the grounds have been pillaged but Scarlett finds that her father, sisters, and two of their servants, Mammy and Pork (Oscar Polk), remain, the rest of the servants/slaves having either run away or forced into the Union army. Scarlett discovers that her mother recently passed away from typhoid fever, leaving her already disturbed father practically insane. With barely any food, no livestock to speak of, and no money, Scarlett wanders into the fields to clear her head. She pulls a dried up carrot out of the ground to bite into it, only to throw up immediately afterwards. Resolving not to give up, she stands defiantly, saying, "As God is my witness, I'll never be hungry again!"
Intermission
Months pass and the war enters its final stages. General Sherman marches his Northern armies through Georgia in his so-called 'March to the Sea', leaving destruction in his path. Scarlett and her sisters have been forced to make the best of things, performing manual labor themselves to keep Tara running and in repair. Melanie remains weakened from childbirth and is reduced to staying in bed for the most part. At the moment when Scarlett is scolding her for getting out of bed again, wishing to help, a renegade Union soldier (Paul Hurst) enters the home. He claims that he's simply looking for valuables to move on with but, when he threatens Scarlett, she takes a gun and shoots him in the face and he falls dead down the staircase. Melanie is a witness, having crawled out of bed with a sabre. She promises not to tell the others what happened while Scarlett searches the soldier, finding legitimate cash and other valuables. They dispose of the body and explain to Scarlett's father and sisters that her gun had accidentally discharged. Scarlett drags the body off, planning to bury it in the orchard.
Some months later, in spring of 1865, the war is finally over. Confederate soldiers amble back home in the wake of General Lee's surrender. One of them, Frank Kennedy (Carroll Nye), arrives at Tara and, having long been in love with Suellen, asks Scarlett's permission to marry her. Tara soon becomes a haven for passing soldiers who are given food and rest, mostly at the behest of Melanie, much to the dismay of Scarlett. One soldier (Phillip Trent) gives Melanie the news that Ashley is still alive but is a prisoner at a Yankee camp. Soon enough, Ashley arrives at Tara and Melanie rushes to embrace him. Scarlett is urged to do the same but is held back by Mammy; she has no rights to him. To her torment, Ashley stays at Tara with Melanie and his son (Ricky Holt).
During the first year-and-a-half of Reconstruction, high taxes are imposed on the Southern plantations by Northern carpetbaggers, much to Scarlett's dismay. Terrified that she will lose Tara, she seeks comfort from Ashley though Mammy doesn't believe a thing of good will come of it. Scarlett begs Ashley to come away with her to Mexico where they can start anew. He kisses her and admits that he loves her and admires her courage but simply can't leave Melanie and his son behind. Ashley reminds Scarlett that she still has Tara which she should love more than him and thrusts some of its red dirt into her hand. He tells her that the Southern civilization is and way of life with slavery is lost forever and that he intends to move to New York City with his family to work as a banker. Scarlett throws a tantrum and, when the commotion attracts Melanie's attention, she naively suggest that she and Ashley remain in Tara to help Scarlett. Dejected, Ashley gives in.
Jonas Wilkerson (Victor Jory), former overseer of Tara, now prosperous due to collaboration with the carpetbaggers, offers to buy Tara from Scarlett. Though the tax has risen to nearly $300, Tara rejects the offer and humiliates Jonas by throwing a clump of dirt in his face. As he leaves, Scarlett's father, his mind all but completely lost, chases him down on his horse, attempting to upbraid him. However, the horse falls while attempting to jump over a fence and O'Hara is killed in the fall.
After burying her father, Scarlett seeks the help of the only man she knows of, yet again. Rhett Butler, despite holding a Captain's rank, is being held in jail in Atlanta by Union forces who are threatening to hang him unless he hands over his Confederate gold; prior to the war, Rhett had moved all his wealth to banks in London where it would be safe. Conditions in the jail, however, are hardly bleak: Rhett gambles and drinks with Union soldiers and receives female visitations. Scarlett decides to dress up for the occasion and enlists Mammy to create a new dress for her out of the curtains hanging at Tara. Mammy accompanies Scarlett to Atlanta to keep her out of trouble. Scarlett is allowed visitation to Rhett at the city jail and attempts to present herself with an air of elegance, claiming that life at Tara is like paradise. Rhett, however, sees through the deception when he notices her roughened hands from working the fields. Despite her anger, she continues to beg for money and even offers to be his mistress. Rhett dismisses her. On her way out, Scarlett passes Belle Watling waiting for a visit. Noticing how well-dressed she is, Scarlett figures that she knows how to get the money.
While walking through town, Mammy and Scarlett come across Frank Kennedy, now a successful businessman selling hardware and wood for which the city is being rebuilt. Frank claims to be saving all his money to marry Suellen and bring her to the city. Sensing an opportunity, Scarlett tells Frank that Suellen has married another man and presents herself open to Frank, despite Mammy's disapproving looks. Arriving back at Tara, Suellen is heartbroken and sullen as a widow, having just learned that Scarlett hastily married Frank and that he has paid off Tara's debts. She scolds Scarlett for having been married twice already and relents that she seems to be destined as a spinster.
Throughout that year (1866), Frank's hardware and lumber store flourishes under Scarlett's management. She refuses credit to her poor neighbors and makes lucrative deals with Northern businessmen. They expand further, buying a sawmill, and Tara starts to regain part of its former splendor. Scarlett hires hungry convicts who are exploited by a cruel, former prison overseer (John Wray). Ashley expresses his discomfort at the thought of the convicts being abused, starved and used as slave labor but Scarlett is determined to allow it.
One day, Scarlett comes across Rhett Butler, who is now free and very wealthy. He laughs, saying that she could have married him and become rich if she had waited. She brushes him off and leaves alone for the sawmill. Rhett points out that the shantytown on the way to the sawmill is full of dangerous criminals and deserters but Scarlett shows him that she carries a gun.
On the way to the sawmill, two men attack Scarlett from behind and overpower her before she can use her gun. Panicked, Scarlett faints. The men appear to be on the verge of raping her when Big Sam (Everett Brown), a former slave at Tara, saves her by beating up the two men who flee. News of the event spreads quickly through the town. That evening, Frank drops Scarlett and Mammy off at the Wilkes' home while he and Ashley go out to a political meeting. The women sense that something is afoot and Melanie reads aloud from the book 'David Copperfield' in an attempt to relieve the tension. Rhett appears and tells the women that the men have formed a vigilante group to punish the attackers but that the Union army has been tipped off and those at the meeting are now in danger. Melanie tells Rhett where they are meeting, considering him trustworthy despite Scarlett's advice to the contrary. Rhett says he will do what he can.
Several hours later, Rhett appears back at the home with Ashley and Dr. Meade, with a squad of Union soldiers right behind them. The three men seem to be completely drunk and Rhett tells the Yankee captain (Ward Bond) that they have just spent the evening at the bordello establishment of Belle Watling, who should confirm their story. The women are shocked and embarrassed, but the captain accepts the explanation and departs (he is a frequenter of Belle's bordello as well). Rhett drops the curtain and instantly sobers (having just pretended to be drunk), revealing there was a skirmish in the shantytown. Ashley is wounded, having been shot in the shoulder but the two men who attacked Scarlett are now dead, along with several others. More worried about Ashley, Scarlett neglects to inquire about her own husband, Frank. Rhett finally mentions that he was killed in the skirmish and is still there, lying dead in the road.
Some days later, Melanie meets with Belle Watling and thanks her for helping their men stay out of trouble by backing up their false alibi. Belle says that she has a son studying up North and helped the men because of Melanie rather than Scarlett. Belle cautions Melanie about speaking to her in public from now on as it would damage Melanie's reputation but Melanie persists that she would be happy to speak to Belle anytime.
A few days later Rhett visits Scarlett, again a widow. He realizes that she has been drinking heavily despite her attempts to cover up the smell with cologne. She tells Rhett that she will never love him because she's in love with another man, but she will marry him because of his money. Rhett says that they are two of a kind; partners in crime, and he marries her anyway. Rhett and Scarlett have a luxurious honeymoon in New Orleans and return to Tara so that Scarlett can use her new riches to restore its full glory. Rhett also buys a large mansion in Atlanta where they will live on a regular basis. In time they have a child whom Rhett confidently names Bonnie Blue Butler after Melanie remarks (newborn: Kelly Griffin, 2 year-old: Phyllis Douglas) on her brilliant blue eyes.
After her daughter's birth, Scarlett becomes depressed over her waning youth and her unrequited love for Ashley. She informs Rhett that she wants no more children and will no longer sleep with him. Furious, Rhett storms out to find consolation at Belle Watling's. Although he has grounds for divorce, Rhett continues with the sham marriage in order to keep up social appearances for Bonnie's sake. Bonnie becomes a sort of substitute for Scarlett in Rhett's eyes. Over the next few years, Rhett dotes on the child, spoiling her and giving her the best of everything, including a pony and riding lessons.
In 1871, India Wilkes and Mrs. Meade (Leona Roberts) discover Scarlett hugging Ashley at the hardware store. Although the hug was rather innocent, Scarlett knows that rumors will fly. That night is Ashley's birthday party and Rhett, who has heard the gossip, forces Scarlett to go in a daring red taffeta dress which would be considered very inappropriate for the occasion. Melanie is the only person who welcomes Scarlett. Back at the Atlanta mansion, Scarlett finds Rhett completely drunk. They have an angry confrontation and, this time, Rhett refuses to take no for an answer. He carries Scarlett off to the bedroom. The next morning, Scarlett seems deliriously happy. When Rhett arrives to apologize and propose a divorce, her good mood vanishes. Rhett promises to take care of Scarlett financially but insists on taking Bonnie away with him. Scarlett rejects his offer, as it would be a disgrace. Rhett then leaves on an extended trip to London, England and takes Bonnie with him.
In London, Bonnie (Cammie King Conlon) has nightmares and can't sleep in the dark. Her stuffy English nurse (Lillian Kemble-Cooper) believes that the ordeal will build the child's character but Rhett dismisses her and lets Bonnie sleep with a candlelight on. The homesick Bonnie begs to return to her mother. When Rhett and Bonnie return to Atlanta, Scarlett tells him that she's pregnant again. Rhett reacts coldly and Scarlett ups the ante by saying she wishes the baby were not his, to which Rhett retorts, "Maybe you'll have an accident." In the ensuing row at the top of the stairs, Scarlett takes a blind swing at Rhett who dodges it. The momentum causes Scarlett to fall down the stairs and lose her baby.
Later, at the behest of Melanie who has become pregnant again, Rhett makes an effort to be kind to Scarlett. Sitting on the back terrace of their Atlanta mansion, Rhett and Scarlett discuss the possibility of Scarlett giving up the lumber business to devote herself to her husband and child. A reconciliation begins to seem possible when, at that moment, Bonnie insists stubbornly on jumping a fence with her pony after she raised the bar. Scarlett remembers her father's death and has a premonition of disaster. Her worst fears come true as the pony refuses to jump and fatally throws Bonnie over the fence. Rhett is devastated by Bonnie's death and refuses to release the child's body for burial for several days despite Scarlett's wishes. Rhett locks himself in his room with the body after shooting the pony, refusing to allow anyone in, including Scarlett who can only bang on the door screaming at him.
Melanie arrives at the mansion and is led upstairs by Mammy, who tearfully relays the past few days events. Melanie manages to allow Rhett to come out of the room and allow undertakers to take away Bonnie's dead body. But Melanie, overwrought with emotion, collapses and goes into labor. Upon a doctor's examination following the birth, he determines that Melanie is dying from internal bleeding. In a final meeting with Scarlett, Melanie asks her to look after Ashley. When Melanie dies, Ashley is left a broken man and he tells Scarlett that Melanie was always his true love, a devastating revelation to Scarlett, who then realizes that he never really loved Ashley and can only wish that he had been clearer about his own feelings for her. Rhett, witness to the scene, stalks off to his & Scarlett's home.
Scarlett returns to the mansion seeking Rhett. Having seen Scarlett with Ashley at Melanie's house, Rhett tells her that she will never stop loving Ashley and so he is leaving her, for good, to start a new life back in his hometown of Charleston. As Rhett begins to pack his suitcase to leave, Scarlett insists that she now realizes that she loves Rhett and never truly loved Ashley but Rhett maintains that any chance of saving their marriage died with Bonnie, and on top of all that, he's tolerated Scarlett's drama long enough. As he prepares to walk out the door, Scarlett begs him one last time, asking what will happen to her if he leaves. Indifferent, Rhett replies, "Frankly, my dear, I don't give a damn." and strides out of the house into the evening fog.
Scarlett collapses on the stairs in anguish. She pulls back from despair only when she thinks of the other great love of her life, Tara, through a series of reminiscences in voice-over . Scarlett is determined to return to Tara, make a new start, and try to somehow get Rhett back, saying to herself, "After all, tomorrow is another day!"
In the final shot, we see Scarlett silhouetted against Tara as the sun sets over the hill, having arrived back at her childhood home and now facing an unknown, but new, future.


sábado, 30 de janeiro de 2016

The lake house

Kate Forster is a Doctor in 2006, living alone in Chicago. She has moved into an apartment after living in a house built next to a scenic lake in a secluded countryside area. She writes a letter to the next tenant asking that they forward any mail, and that the paw prints and the box in the attic have always been there. The tenant Alex Wyler reads the letter, but finds no paw prints, no box and no sign of life within the last 5 years, so disregards the letter until a few days later when he is redoing the paint on the handrails and a stray dog, whom Alex takes in and names Jack although the dog is female, trots through the brown paint and leaves its paw prints all the way to the front door. He writes to Kate asking more about these incidents and leaves the letter in the mail box.
On Valentine's Day 2006, Kate visits the Lake House after having a gentleman die in her arms after being hit by a bus, but finds the Mail Box Flag is up. She reads Alex's letter and states her current address, also stating it is 2006, not 2004 from which Alex's letter arrives from. Alex attends her 'current address' but finds a construction site that won't be finished for another 18 months, and they both slowly realize they are communicating from two years apart, with only the Mailbox to communicate from.
As Kate and Alex continue to correspond through the mailbox, they find themselves falling in love. Because Kate is in the future, she can tell Alex specific places to look for her in 2004. On one occasion, she asks Alex to bring her back something important (a gift from her father; her favorite novel by Jane Austen called Persuasion), which she left two years ago during a train station meeting with her then-beau, Morgan. Alex goes to the station and finds the item and sees Kate with long hair. Even though he has the item, he does not place it in the mailbox to return it to her. Instead, he says that he will return it to her personally, "one way or the other." Alex sends her a personalized map of Chicago and takes her on a walking tour of his favorite places in the city one Saturday morning. He leaves her a loving message on a brick wall at the end written in 2004, that she sees in 2006. The message was "Kate, I am here with you. thank you for spending this Saturday together".
In 2004, Mona, a young attractive assistant, is flirting with Alex but he ignores her advances. Alex's dog Jack runs off and leads Alex to a house in which Morgan and Kate are currently living. Alex talks with Morgan and eventually is invited to the birthday party Morgan is holding for Kate that evening. During the party, Alex and Kate dance together and share a romantic kiss, which is broken up by Morgan and Mona. Later, Kate and Alex discuss that night and Kate announces she liked him, and can remember what he looks like.
Crisis enters Alex's life when his estranged father has a heart attack and shortly thereafter dies. Kate somehow discovers his death certificate at the time he dies. She rushes to the mailbox and as a gift to Alex, she places a book in the mailbox, which she says is a tribute to his father, a book that is not yet published in Alex's time.
Determined to bridge the distance between them at last and unravel the mystery behind their extraordinary connection, they tempt fate by arranging to meet. Alex makes a reservation in 2004 for a date in 2006 at Il Mare, a fancy restaurant, but only Kate appears. Alex does not show up. The next day Kate writes Alex a letter telling Alex of this fact, but he doesn't understand. "Something must have happened" he responds. Kate retreats, believing she will never have happiness. She urges Alex to move on She tells him about Valentine's Day 2006 when a man died "in her arms", and that she needs to live her own life. She asks Alex not to contact her again. Alex leaves her a growing pile of letters in the mailbox that she never retrieves. He is brokenhearted and decides to leave the lake house. He places the box in the attic that Kate referred to in her first letter.
Alex appears to Morgan and hands him the keys to the lake house and exits in his truck, leaving Jack behind and having her become Kate's dog.
Almost one year passes.
In December 2007 Kate and Morgan are apparently living together in a Chicago apartment and when he asks her to turn the film she is watching down, she switches it off and storms into the bedroom where a squeaky floorboard irritates her, so she rips it out and discovers her copy of Persuasion, with a pressed and faded rose marks a passage that Kate is particularly touched by. She realizes she still loves Alex, but does not contact him.
On Valentine's Day 2008, Kate and Morgan go to Visionary Vanguard Associates, an upcoming architect's office, to talk about renovations to the apartment they are living in at that time, but do not realize it is run by Alex's brother Harry. Kate notices a beautiful watercolor of the Lake House and asks who did it. Harry says it was done by Alex Wyler, his brother, but tells her he passed away 2 years ago to the day. Kate realizes something and sprints to her car and races to the mailbox by the Lake House, placing a letter inside. Alex was the man that died that day, two years previously, and she tells him to wait 2 years, not to look for her or try to find her. Kate knows that Alex can't change her reality what has happened in Kate's reality has happened. In order for Kate's and Alex's reality to merge, Alex must meet Kate at the Lake House on February 14th 2008.
In 2006, Alex watches as Kate has lunch with her mother, and makes to step off the curb, then watches as the bus that was going to hit him passes by instead. He smiles to himself and, instead of crossing the street, walks away from Kate.
In 2008, the Mail Box Flag squeakily drops and Kate, previously sobbing on the ground, watches it in earnest, and behind her a truck pulls up. Out steps Alex. They share their second passionate embrace and after several minutes walk arm in arm into the Lake House. Alex hands to her, what appears to be, a Valentine's Day card.


sexta-feira, 29 de janeiro de 2016

If only

Ian Wyndham (Nicholls) is a British Businessman who lives with his musician girlfriend, Samantha Andrews (Hewitt) in London. Ian takes Sam for granted making Sam feeling vulnerable in the role of the one who loves more. Taking us through a day in Ian and Sam's life, the film opens by showing different events such as Sam getting burnt on a kettle, Ian's watch breaking, Sam getting Coca-Cola spilt on her and Ian being interrupted by Sam during an important meeting at work. (She had mistakenly thought that Ian had forgotten his presentation folder at home, when in fact it was just another similar but less important folder.)
As the day progresses we see Ian in a taxi. He tells the driver (Tom Wilkinson) about how he and Sam are going through difficulties. The driver recommends he should just love her. After Sam's concert that night, Ian tries to dismiss Sam's favorite student. At dinner Sam confronts Ian where her frustration boils over. She gets angry at Ian for his attitude toward her and tells him that she just wants him to love her. Sam storms out of the restaurant in tears, Ian following close behind and asking for her forgiveness. Sam gets in a passing taxi and as Ian tries to get in beside her he notices that the driver is the same man who he traveled with earlier that day. The man gives Ian an ominous smile and as the clock hits 11 PM, Sam closes the door, leaving Ian standing there. As he watches the taxi drive away, Ian makes one last attempt to reconcile with Sam and runs after the taxi as it stops at a traffic light. Before he gets there, the lights change and the taxi begins driving again. As it speeds up, the taxi is stuck violently by another car and comes to a halt on the middle of the street. Ian halts and falls on his knees shock.
At a nearby hospital, Sam is being taken into the ER and Ian is running through the hospital looking for her. He arrives outside the room Sam is in and through a windows sees her wounded and surrounded by medical personnel. Sam looks over to the window towards Ian, a blank expression on her face. Ian begins to cry and before the doctors can help her, Sam succumbs to her injuries and dies. Ian falls to the floor in the hospital in disbelief. We see Sam's friend Lottie (Lucy Davenport) enter a hospital room, where Ian is sitting in a chair. They both begin to cry. Ian goes back to his apartment, finds Sam's notebook and opens it, finding a song she was working on. He falls asleep clutching the notebook close to him. As the next day begins, Ian wakes up with the notebook still held tight. He is shocked to hear a voice behind him tell him not to read a word. He jumps up and screams, only to see Sam standing in his apartment. After the initial confusion, Ian comes to the conclusion that the previous day must have been a dream and continues the morning, happy to have Sam by his side
As the morning progresses however, Sam gets burnt by her hair straighteners in the same place she had been burnt by the kettle in his supposed dream. Able to shake this off as a sheer coincidence, Ian takes no further notice of it. Other events similar to those he already experienced begin happening too, although at different times and in different ways, as Sam gets Coca-Cola spilt on her. This time Ian mentions his dream to her, and she convinces him that it was just a dream, and if his watch remains in working order then it can't possibly be the same day as his dream. Nonetheless, Ian is still cautious, and while in a meeting at work he holds his folder in his hands. Sam sees this from outside the glass doors and his meeting is left uninterrupted. Later in the day, Ian gets into a taxi. After talking to the taxi driver he realizes that the driver is the man from the previous day. He questions the man about this and the driver says he does not remember, although he once again gives Ian an ominous smile, implying he may in fact know about Sam's accident and all the previous events. This convinces Ian once and for all, and he runs to Sam, who's helping her friend Lottie set up for an art gallery.
After convincing her to come with him, he brings her to a train station. After much questioning he reveals they are traveling to his rural home town. A delighted Sam makes sure that she'll be back in time for her concert, which Ian ensures they will be. Ian brings Sam up a mountain, to a spot he used to visit as a child. The two find a little abandoned cottage on the mountainside to use as shelter during a rain storm. Upon setting up a fire while Sam sits down, Ian notices that his watch is cracked and isn't working. He turns to look at Sam, who's lighting candles on a table. Sam smiles and when Ian asks what she would do if she didn't have a lot of time left, she replies that she'd do what she's doing right now; spending time with him, just being together. Ian and Sam begin kissing, before making love. Afterwards, they make their way back down the mountain, disappointed that they never made it to Ian's spot. In the town below, the two have drinks and Ian tells Sam about his father, who lost his beloved job in 1993 before becoming an alcoholic and dying sometime later. Ian reveals that he wishes he could have helped his father more, but Sam says he was only a child at the time and wherever his father is now, he's proud of him.
The two travel back to London and Ian takes Sam on the London Eye as another surprise. They then travel back to their apartment and while Sam is distracted, Ian takes a page from her notebook and brings it to a nearby photocopying shop while Sam travels to her concert with her violin. Before the show begins Ian sends a bouquet of flowers up to Sam and gives the photocopied pages to an organizer. A puzzled Sam looks out to Ian in the crowd when her bouquet arrives. His plan is soon revealed however when Ian comes onto center-stage with a microphone. He calls a reluctant Sam to his side, who gets nervous. Ian goes and talks to Sam at her seat and tells her she doesn't want to disappoint her future fans. Sam proceeds onto the stage as the orchestra begins to play the song printed on Ian's photocopied sheets. She sings the song she wrote for Ian in her notebook and the crowd burst into applause at her performance. While walking to a restaurant of Sam's choice, she describes her feelings to Ian.
In an intimate surrounding, Sam and Ian discuss the day in a sheer contrast to Ian's experience the previous night. Ian gives Samantha a charm bracelet with different charms and symbols: a musical note, a violin, a flower (which he describes as exquisite, much like Sam herself), the train they took that day and the Eiffel Tower, which Sam had always wanted to see. The two sit in silence as Sam tears up and smiles across at Ian. As they leave the restaurant in a downpour, Sam tries to get a taxi to take them home. Ian realizes they are in the same spot as the previous night when the accident took place and tells her to look at him and listen. In the rain, Sam listens as Ian professes his love for her and tells her that if it weren't for her or today, he would never have known true love at all. Sam begins crying and says she doesn't know what to say, to which he replies that she doesn't need to say anything.
A taxi pulls up and Sam gets in, beckoning Ian to get in too. He gets in next to her. As the taxi approaches the traffic lights, Ian and Sam kiss. He looks forward and sees the clock strike 11 PM and the same ominous smile he has seen so many times already. Sam smiles at him as the taxi pulls away and images of Sam's accident flash through his mind. He sees a car light through his window and grabs Sam tight for the last time. Sam's scream can be heard. At the hospital, we see Sam's friend Lottie run through the halls. She turns a corner and enters a hospital room, where Sam is sitting in a bed. Sam tells Lottie about Ian's premonition and how she didn't believe him. She and Lottie begin to cry. In the end it was Ian who was the victim of the accident.
Six months later, Sam is sitting in the apartment, with Ian's watch in her hands. Everything is packed into boxes and Sam takes a last look at the room. We see her singing on stage in a restaurant, with Lori at the closest table to her. She travels to the cottage on the mountain which she and Ian visited and continues climbing until she reaches Ian's spot at the peak of the mountain. She stands at the top, staring out into a valley, not knowing what lies ahead.
Source: Wikipedia, If Only


Interrupted Melody

With the help of her family, Marjorie Lawrence sneaked out of the family farm in Winchelsea to participate in an opera contest and won. She was given credentials and a letter of introduction and went to France to study with famous opera coach Madam Cécile Gilly.
A year later, Marjorie's father died and she was on the brink of giving up her career when Madam Gilly recommended her for the role of Musetta, in the new production of La Boheme at Monte Carlo Opera. She was an overnight success.
At the hotel lobby, a happy but lonely Marjorie was about to return to her room after giving her family the good news, a kind young American offered to take her out and celebrate. It was love at first sight for Dr. Thomas King and Marjorie, but the next morning they went on their separate ways - he back to New York to start his practice, she started a two-year contract with Monte Carlo Opera.
With the aggressive management of kid brother Cyril and suitor Comte Claude des Vignaux, Marjorie soon gain international fame and started to tour with prominent opera companies such as Paris Opera and the Metropolitan Opera. Thomas went to see her after the opening night of Metropolitan's production of Götterdämmerung, the two fell in lover all over again.
Thomas was just a struggling obstetrician and considered to be below Marjorie's stature. Realising that she couldn't have both a normal life with Thomas and a career, Marjorie ignored both Cyril and Thomas' protest and cancelled all tours, contended with being a contract soprano with Metropolitan Opera. Marjorie and Thomas got married; a disappointed Cyril broke away from his sister and went on to manage other prima donnas.
The Metropolitan Opera was going to put on a production of Tristan und Isolda and wanted Marjorie to sing the lead soprano, with the condition that she must go on a tour to get some practice and experience with this new role. Seeing that even Thomas agreed that she should go, she went on a Latin America tour.
Marjorie clasped during a rehearsal and was diagnosed to have contracted Poliomyelitis, became completely paralysed. Thomas gave up his practice and they moved to Florida to begin a full-fledged rehabilitation. Marjorie made good progress with her upper body, but she was never to get back the use of her legs.
After a suicide attempt, Marjorie finally came out of her depression and Thomas was able to go back to New York to re-open his practice. Marjorie, now needed to live in place with warm climates, was scheduled to join him in the spring.
One day an old friend of Thomas', Dr. Ed Ryson, now drafted to fight in WWII, dropped in to visited Thomas and suggested that she perform for the patients in the hospital. This little performance developed in to a tour, Marjorie began to tour the world singing for American soldiers.
With her new-found confidence from this tour, Marjorie agreed to return to stage and Metropolitan Opera put on a redesigned production of Tristan und Isolda, where she could perform sitting down. The performance was a success and Marjorie was even able to stand up and walk a few steps at the end.


terça-feira, 29 de dezembro de 2015

Out of Africa



Directed by Sydney Pollack
Produced by Sydney Pollack
Kim Jorgensen
Screenplay by Kurt Luedtke
Based on Out of Africa
by Isak Dinesen
Isak Dinesen: The Life of a Story Teller
by Judith Thurman
Silence Will Speak
by Errol Trzebinski
Starring Robert Redford
Meryl Streep
Klaus Maria Brandauer
Music by John Barry
Cinematography David Watkin
Edited by Fredric Steinkamp
William Steinkamp
Pembroke Herring
Sheldon Kahn
Production
company
Mirage Enterprises
Distributed by Universal Pictures
Release dates December 18, 1985
Running time 161 minutes
Country United States
Language English
Swahili
Budget $28 million
Box office $128.5 million

Out of Africa is a 1985 American epic
romantic drama film directed and produced by Sydney Pollack and starring Robert Redford and Meryl Streep . The film is based loosely on the autobiographical book Out of Africa written by Isak Dinesen (the pseudonym of Danish author Karen Blixen ), which was published in 1937, with additional material from Dinesen's book Shadows on the Grass and other sources. This film received 28 film awards, including seven Academy Awards .
The book was adapted into a screenplay by the writer Kurt Luedtke, and directed by the American Sydney Pollack . Streep played Karen Blixen; Redford played Denys Finch Hatton ; and Klaus Maria Brandauer played Baron Bror Blixen . Others in the film included Michael Kitchen as Berkeley Cole; Malick Bowens as Farah; Stephen Kinyanjui as the Chief;
Michael Gough as Lord Delamere ;
Suzanna Hamilton as Felicity, and the model/actress Iman as Mariammo.
Plot
The story begins in 1913 in Denmark , when Karen Dinesen (a wealthy but unmarried woman) asks her friend Baron Bror Blixen (Klaus Maria Brandauer) to enter into a marriage of convenience with her. Although Bror is a member of the aristocracy , he is no longer financially secure; therefore, he agrees to the marriage, and the two of them plan to move to Africa to begin a dairy farm.
Upon moving to British East Africa , Karen marries Bror in a brief ceremony, thus becoming Baroness Blixen. She meets and befriends various other colonial residents of the country, most of whom are British. She also meets Denys Finch Hatton (Robert Redford), a local big-game hunter with whom she develops a close friendship. However, things turn out differently from her expectations, since Bror has used her money to purchase a coffee plantation rather than a dairy farm. He also shows little inclination to put any real work into it, preferring instead to become a game hunter. Although theirs was a marriage of convenience, Karen does eventually develop feelings for Bror, but she is distressed when she learns of his extramarital affairs. To make matters worse, Karen contracts syphilis from her philandering husband (at the time, cures were uncertain) and is forced to return to Denmark for a long and difficult period of treatment using the then-new medicine Salvarsan. Bror agrees to look after the plantation in her absence.
After she has recovered and returns to Africa, the First World War is drawing to an end. However, it becomes clear that her marriage to the womanizing Bror has not changed, and she eventually asks him to move out of their house. No longer able to have children of her own due to the effects of the syphilis, she decides to open a school to teach reading, writing, arithmetic, and also some European customs to the African tribal children of the area. However, her coffee plantation runs into financial difficulties, and she is forced to rely on bank loans to make ends meet. Her friendship with Denys Finch Hatton develops further.
Despite her expectation and desire to have what begins as an affair turn into a lasting relationship, Karen realizes that Denys is as impossible to domesticate as the wild animals he hunts and often refers to. Although he moves into Karen's house, he criticizes her desire to "own" things; this implies even people. He refuses to commit to marriage or give up his free lifestyle and tells her that he will not love her more just because of a "piece of paper". Karen grudgingly continues in the relationship, knowing it will not ever be official. He decides to invite a female mutual acquaintance on one of his safaris, which exceeds Karen's ability to tolerate his justifications for his lifestyle and behavior. Karen asks him to accede to her request to not take her along, and he refuses. She asks him to move out. The plantation finally yields a good harvest at long last, but a devastating fire breaks out in the processing shed, and the crops and all of the factory equipment are destroyed.
Now financially broke, and her relationship with Denys over, Karen prepares to leave Africa to return home to Denmark, just as British East Africa is becoming Kenya Colony. She arranges to sell everything that she owns and empties the house of all her luxurious items for a rummage sale . In the now empty house, Denys visits her that night, and the two of them enjoy a drink and a dance. He asks her if he might escort her to Mombasa in his
biplane to begin her journey home. She agrees and he promises to return after a few days. However, Denys never returns, and Karen is told that his plane has crashed and that he has been killed. Her loss now complete, Karen attends his funeral in the Ngong Hills. With Denys gone, Karen's head servant, Farah, takes her to the station, for the train to Mombasa.
Karen later became an author and a storyteller, writing about her experiences and letters in Africa, though she never returned there.


quinta-feira, 24 de dezembro de 2015

A walk to remember

Directed by Adam Shankman
Produced by Denise Di Novi
Hunt Lowry
Screenplay by Karen Janszen
Based on A Walk to Remember
by Nicholas Sparks
Starring Shane West
Mandy Moore
Peter Coyote
Daryl Hannah
Music by Mervyn Warren
Cinematography Julio Macat
Edited by Emma E. Hickox
Production
company
Gaylord Films
Di Novi Pictures
Pandora Cinema
Distributed by Warner Bros.
Release dates January 25, 2002
Running time 102 minutes
Country United States
Language English
Budget $11 million
Box office $47,494,916

A Walk to Remember is a 2002 American coming-of-age romantic drama film directed by Adam Shankman . Based on the 1999 novel of the same name by Nicholas Sparks, the film stars Shane West , Mandy Moore , Peter Coyote , and Daryl Hannah , and was produced by Denise Di Novi and Hunt Lowery for Warner Bros.
Plot
Popular and rebellious teenager Landon Carter (Shane West ) is threatened with expulsion from school after he and his friends leave evidence of underage drinking on the school grounds and seriously injure another student as the result of a prank gone wrong. The head of the school gives Landon the choice of being expelled or atoning for his actions by tutoring fellow students and participating in the school play. During these functions, Landon notices Jamie Sullivan (Mandy Moore ), a girl he has known since kindergarten and who has attended many of the same classes as him, and who is also the local minister's daughter. Since he's one of the in-crowd, he has seldom paid any attention to Jamie, who wears modest dresses all the time and owns only one sweater. Jamie is labeled an outsider and a geek. She makes no attempt to wear make-up or otherwise improve her looks or attract attention to herself.
Landon has trouble learning his lines for the play. Jamie, who is also in the play, agrees to help him on one condition: Jamie warns Landon not to fall in love with her. Landon and Jamie begin practicing together at her house after school. They get to know each other and a spark of affection arises between them.
On the opening night of the play, Jamie astounds Landon and the entire audience with her beauty and her voice. Onstage at the peak of the ending to the play, Jamie sings. When Jamie finishes, Landon kisses her which is not part of the play.
Jamie avoids Landon after the play, and it is not until Landon's friends play a cruel prank on Jamie and he protects her in opposition to his friends that she warms up to him again. Landon asks Jamie on a date soon after, but Jamie says her father doesn't allow her to date. Landon asks her father if he can date his daughter, bringing up that he's looking for a chance at redemption with her and at life through her. Reluctant at first, he gives in.
On their first date, Landon helps Jamie to fulfill her list of things she wants to achieve in life, such as being in two places at once, and getting a tattoo. After that, they go to the docks. Jamie tells Landon about how she experiences belief and how it's like the wind. It is then that he tells her he might want to kiss her now.
On another date, where Jamie is very silent and unfocused, Landon asks Jamie what her plans for the future are. She then confesses she isn't making any because she has leukemia and hasn't been responding to treatment. A desperate Landon asks for his father's help in curing her, but is disappointed by his reply and heads on a long drive home thinking about Jamie.
One by one, his friends become aware of the tragedy looming for Jamie and Landon. They give their support to him. Jamie's condition grows worse and she gets sent to the hospital.
Still in hospital, Jamie gives Landon a book that once belonged to her mother. She states that maybe God sent Landon to her to help her through the rough times and that Landon is her angel.
Unbeknownst to Landon, Jamie is given private home care by Landon's estranged father relieving her father's financial burden. Landon visits his dad, tearfully thanking him for his help. They embrace and are reunited.
Landon is building a telescope for Jamie to be able to see a one-time comet in the springtime. Jamie's father helps him get it finished in time. The telescope is brought to her on the balcony. She gets a beautiful view of the comet through the new telescope. It is then that Landon asks her to marry him. Jamie tearfully accepts, and they get married in the church in which her deceased mother got married. Jamie and Landon spend their last summer together, filled with a deep love like no other. Jamie dies when summer ends.
Four years later, Landon has finished college and been accepted into medical school. Landon visits Reverend Sullivan to return to him Jamie’s precious book that belonged to her mother. Landon apologizes to the Reverend that Jamie did not witness a miracle (an ambition she expressed in the class yearbook). The Reverend disagrees saying that in fact she did and that her miracle was Landon. He is shown to have completely changed his original opinion of Landon in the beginning of the film, where he completely detested Landon and did not hide it.
Landon visits the docks contemplating the belief that although Jamie is dead, that she is with him. It is then that he understands love is like the wind; you can't see it, but you can feel it.
Cast
Shane West as Landon Rollins Carter
Mandy Moore as Jamie Elizabeth Sullivan
Peter Coyote as Reverend Hegbert Sullivan
Daryl Hannah as Cynthia Carter
Lauren German as Belinda
Clayne Crawford as Dean
Al Thompson as Eric
Paz de la Huerta as Tracy
David Lee Smith as Dr. Carter
Jonathan Parks Jordan as Walker
Matt Lutz as Clay Gephardt


quarta-feira, 23 de dezembro de 2015

My Best Friend's Wedding (1997)

Julianne Potter (Julia Roberts) is a successful and independent food critic. Her closest friend is George (Rupert Everett), who happens to be gay. Over dinner with George, she reminisces about another relationship in her past: her brief romance and long-term friendship with Michael ONeal (Dermot Mulroney), a freelance sports writer. Jules and Michael were such good friends, they made a half-serious promise to each other that if neither found a mate before they turned 28, they would marry each other. Soon afterward, Jules receives a call from Michael, who tells her he has met that special someone -- Kim Wallace (Cameron Diaz), the daughter of a billionaire baseball team owner. Michael is madly in love with Kim, but asks his "best friend" to visit him in Chicago to lend him support. Jules is shocked to hear this news, and suddenly becomes desperate to win Michael for herself. She travels to Chicago, meets Kim, and realizes that this girl really is perfect, not just to Michael. Nevertheless, she embarks on a campaign to turn Michael and Kim against each other. George joins her, and attempts to help her face the truth about what will make her feel good for the immediate moment and in the long term. As the wedding date approaches, Jules becomes more desperate, but her attempts fail. However, just before the wedding, Michael gets a message that throws his relationship with Kim seriously into doubt...and gives Jules her chance to share her true feelings with Michael. This romantic farce features the music of Burt Bacharach.